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  • De triduos pascuales en las grietas del mundoCarlos Mendoza Álvarez | Easter Vigil | Sots'leb 2026

    Of Easter Triduums in the Cracks of the World

    By Carlos Mendoza Álvarez

    A microcosm unfolds at every turn in the Highlands of Chiapas, like parallel worlds with secret passageways connecting ancestral traditions and modernity. It's possible to explore them by sharpening your gaze and silencing the outside noise to listen to the sounds that resonate within each space.

    Here you can step through the tunnel of time in an instant upon entering the temple of Sots'leb where women and men dressed in flowery costumes wander about, engaged in prayer, sowing candles to the saints, adorning the images with thousands of flowers. The processions in the atrium are like a spiral of cries mixed with pom Or incense, colors, chants, and prayers. All that religious commotion stops at the culminating moment of Christ's elevation on the cross. Then the entire community falls to its knees before the Nazarene, accompanied by his Mother, with Mary Magdalene and John the Evangelist at his sides.

    And suddenly, in the same town of Zinacanteco, ministers appear filming with their cell phones, media personnel are live-streaming the procession with their cameras mounted on stabilizers, and young people are chatting with their friends in Tsotsil about the upcoming praise concert that the Alfarero group will offer on Easter Sunday in Navenchauk. Technology connects them to cyberspace.

    Just a few kilometers away, in the coastal region, another ritual, now mestizo and baroque, celebrates Good Friday with pious fervor. Hooded penitents, images of the Holy Burial, Our Lady of Sorrows, Saint Mary Magdalene, and Saint John the Evangelist are carried on litters, accompanied by the faithful advancing solemnly in the silent procession. The procession begins with a tall cross and two processional candles, followed by friars in their white habits and black capes, and some hooded figures playing the mournful drum. We walk slowly along the pedestrian walkway filled with tourists who stroll, stop, film with their cell phones, and continue on their way with disdain. A few people cross themselves, but most ignore the religious ritual. A group of young urban Indigenous women caught my attention; they were coming from the opposite direction. As if angry and laughing mockingly, they sped past, challenging the group of worshippers. Was their anger that of adolescent youth, or did it express some centuries-old resentment? I'll never know. Shopkeepers and drivers grew nervous at the slow pace of the procession, but they didn't honk their horns. In contrast, the loudspeakers of businesses that try to attract customers with loud, vulgar music didn't stop blaring. Their noise drowned out the rumble of the silent procession's drum, despite the attempts of some believers who approached and asked the employees to turn off their horns for a few minutes. Nevertheless, the faithful advanced undeterred in the procession, while the spectators on the sides followed its course like flies to other delicacies.

    This is how the holy days pass, between parallel worlds that sometimes touch, but most of the time ignore each other.

    In a suburb of Jobel, the Zapatista community gathers to talk about love and heartbreak, about criticisms of the pyramids of privilege, and about resentment as well.

    More than five hundred people registered, from more than forty different “geographical” places, to hear the wisdom of Commander Moses lecturing - with a slow narrative, accompanied by powerful flashes - on the Common as an alternative to the pyramids of yesterday and today, structures of privilege and command, including the Ezln organization itself.

    The presence of three girls at the table represented children in resistance, accompanying the Subcomandante and the Captain. A symbol of the Zapatista movement's intergenerational vision that envisions other possible worlds In 120 years, to gradually bring them closer as a legacy for new generations of children and youth. Through communal agreements, from now on the assemblies will include the Zapatista base and other communities that do not necessarily share their organization, but do share the yearning and commitment to justice: “Nothing for us, for everyone… the Commons,” declared the insurgent Subcomandante Moisés emphatically.

    One day, the Captain surprised many people and communities by speaking of “the progressive Catholic Church that wanted to destroy us.” This is a topic that deserves careful consideration by its main actors, explored within the social and religious context of the time, to move beyond accusations that perpetuate the spiral of rivalry, resentment, and hatred. One cannot simply erase six decades of a liberating Church—with its strengths and weaknesses, of course—that has yielded rich fruits of collective memory, dignity, and the empowerment of the Mayan peoples in these lands.

    On Saturday night, thousands of Christian communities around the world gathered to celebrate that Life is stronger than death with the new fire ceremony. In Sots'leb, the Easter Proclamation, sung in Tsotsil by Paco Torre, enveloped the community in the darkness with the radiance of the light of the Crucified one who awoke.

    The Easter Vigil reminds us that - in the midst of the night that the victims of yesterday and today are going through - AbbaJesus pronounces a Yes, definitely., rescuing his son from Sheol, the abyss, the underworld, to open in the walls of the past and present hegemonic world a crack of hope through which full life emerges for the entire cosmos.

    And it will be a woman, Mary Magdalene, who first dares to see, to recognize, and to mobilize her grieving community to move beyond rivalry and resentment over the torture and execution of their Rabbi Jesus as a criminal on a Roman cross, with the complicity of the enraged mob in an exemplary lynching. Together with the other women of the Galilean community, the call is to “go to Galilee,” to encounter their resurrected friend and teacher, continuing his dream of a humanity wounded and healed by the unconditional love of God. Abba in the strength of his Ruah divine.

    By rereading the Hebrew Scriptures, like the disciples on the road to Emmaus, that nascent messianic community was able to receive glimpses of another world come from the God of life.

    Happy Easter!

    Sots'leb, Jobel and Navenchauk, April 5, 2026

  • Trilogía cuaresmal en los Altos de ChiapasCarlos Mendoza | Ansetik, Lent in Sots'leb | 2026

    Lenten Trilogy in the Highlands of Chiapas

    By Carlos Mendoza Álvarez

    On the fourth Friday of Lent, it is a Zinacantecan tradition to begin the rituals of covering the saints with purple cloths over their faces and placing flower mats at their feet, accompanied by prayers, candles, incense, and ancestral music, to prepare them for Holy Week, the culmination of the celebrations. Mayordomos, alférez, temples, and sacristans—titles of the lay guardians of the tradition—bear the heavy burden of the preparations, while the ansetik (Women) lie for hours, dressed in their black skirts embroidered with flowers and a white headdress on their heads, adorned with colorful ribbons, sitting hieratic with a candle in their hands, wrapped in large leaves of Ch'entikal jabnal, praying to the cohort of saints on behalf of the community.

    At the same time, in several Zinacanteco-related areas, massive concerts are being organized for Easter Sunday, featuring modern Christian music that will bring Tsotsil youth together around famous international worship groups. These concerts have a charismatic and intimate devotional style, closer to the urban, Protestant-influenced trends so popular in Central America, Brazil, and the United States. The organizational effort for these events is evident, as are the high costs involved, and the colonization of the collective imagination that these forms of modern Christian music represent. These modern Christian music is so popular for its use of pop rhythms and instruments, and its individualistic and sentimental mystical tone, so prevalent in the Western world.

    Both currents of Christian religious culture, traditional and modern, coexist in the same Zinacanteco territory, sometimes flowing like streams into a single river, other times running through separate channels leading to different paths. The crucial question is whether both currents can nourish the communities and strengthen their unity in the face of the new challenges posed by the flower industry and the burgeoning commerce that has significantly raised the standard of living for the Zinacanteco people, bringing new ways of life. Or, will these religious differences provoke a schism that weakens the social fabric that, for centuries, has withstood cultural onslaughts in both colonial and modern times?.

    Just 12 kilometers away, the city intercultural San Cristóbal de Las Casas is a bastion of Roman Catholic religiosity, with a strong emphasis on vibrant pious devotions and a sacramental practice unlike anything I have ever witnessed in Mexico in my thirty-eight years of ministry. In the last four months, I have seen confessions unlike any I have ever seen in my entire pastoral life. Thousands of people approach the confessional with devotion and trust, most with a conscience focused more on the complexities of sexuality and individual vices than on caring for their neighbor like the Good Samaritan of Jesus' teachings and caring for Mother Earth as the poorest of the poor, as Leonardo Boff reminded us, a message echoed by Pope Francis. Devotional celebrations are multiplying in every neighborhood, whether to celebrate the patron saint or to observe Lent with prayers and rigorous religious practices.

    In that context, I proposed a series of Lenten meditations in the Temple of Santo Domingo, during four Thursdays of Lent, to offer alternatives for preparing for the Easter of Jesus inspired by the spiritual tradition of the Dominicans and the mysticism of the Mothers and Fathers of the desert.

    Following the meditative path of Lectio Divina, Every Thursday we began with a light meal, as a way to prepare for biblical meditation. At the start of the meeting, I would highlight some central theological points of the narrative to be meditated upon, read through the lens of medieval and contemporary theology, such as the feminist exegesis of the prophet Hosea and the Samaritan woman, the decolonial theology of disability, and mysticism. apophatic or the refusal of Meister Eckhart.

    The following minutes were intended to focus on body posture, external and internal silence, and rhythmic breathing, in accordance with the ancient practice of heart prayer. Hesychasm, tuning the inhalation to the ancient phrase Kyrie eleison to thus receive divine compassion within, holding the air-spirit for a few seconds, followed by exhalation with Christe eleison to offer the world the life they had received. With the help of Abraham Mena as instructor, that initial breath was accompanied by brief reflections to focus the heart on the biblical text for each Thursday: the desert as a spiritual place, Jesus in the desert, the man born blind, and the Samaritan woman, as stories to learn to to be born againwhich is the Lenten journey that leads us to Easter. One of those sessions was accompanied by music from Handpan, a modern percussion instrument created in Switzerland at the beginning of this millennium, inspired by the ghatam Indian and the gamelan Indonesian music to be played with the hands, music that awakens to the sound of divine harmonies.

    Once our bodies, minds, and hearts were prepared, we carefully read the passage from the Bible that told the story of Jesus' encounters with vulnerable people in the process of resurrection, inviting each person to pause on a phrase, perhaps a single word, that captured our intention, to inhabit this text and allow ourselves to be inhabited by a sonorous word that is alive as the divine Word.

    We concluded with a reflection to connect what we had experienced with everyday life, in the present context, and with a song from the musical tradition of the ecumenical community of Taizé, in France, which allowed us to close with a moment of gratitude and praise, to be sent back into the everyday world to bear witness to what we had meditated on.

    And as part of the Lenten triptych in the Highlands of Chiapas, we launched the initiative JobeLab with a discussion about the San Cristóbal School as one of the vertices of the triangle of critical thinking, re-existences of collectives confronting violence and the mutual support of people and communities open to the breath of Ruah divine in the cracks of society.

    The exhaustion of the civilizational model we knew as modernity, with its expression of colonial Christendom, had already been diagnosed sixty years earlier in Cuernavaca by figures such as Ivan Illich, Don Sergio Méndez Arceo, Abbot Lemercier, and Sylvia Marcos. In Chiapas, jTatik Samuel Ruiz, the indigenous movement and the academic community close to the Mayan peoples had also grasped the need for new ways of life, communal organization and renewed ancestral spirituality as paths to follow in times of escalating violence and exclusion.

    We had the privilege of hosting a gathering with the Chamula Muslim community of the city, accompanied by Sheikh Mudar Abdulghani. Together, we welcomed Sheikh Yahya Rodus and an international group of Sufi students for a shared reflection on God's forgiveness as a path to reconciliation among peoples in this time of violence perpetrated in God's name that is spreading throughout the world. With music by Nader Khan, a Pakistani-Canadian musician, we celebrated the meeting of two venerable spiritual traditions, Christianity and Islam, which, in their Sufi and Dominican versions, have experienced moments of mutual learning in the mysticism of silence, detachment, and the source of divine mercy.

    From the Highlands of Chiapas now, as part of a flow of diverse thought and spiritualities that runs through these lands, we explore those porous areas of thought, culture and modes of communality that heal wounded humanity and the devastated Common Home.

    Announcement of another possible world which, in Christian terms, we call messianic anticipations of the resurrection.

    Sots'leb and Jobel, April 1, 2026

  • Las flechas de San Sebastián Luces y sombras de una fiesta zinacantecaCarlos Mendoza Alvarez | San Sebastian | Sot'sleb, Chiapas | 2026

    The arrows of Saint Sebastian Lights and shadows of a Zinacantecan festival

    By Carlos Mendoza-Álvarez

    One of the emblematic martyrs of the time of Roman persecution in the beginnings of Christianity, pierced by arrows in his naked and vulnerable body, has been venerated for seventeen hundred years by diverse peoples who recognize in Saint Sebastian humanity mortally wounded by empires that supplant divine glory.

    In the Highlands of Chiapas, the saints are adorned with flowery cloaks, colorful ribbons, and mirrors that reflect alternate worlds where the Ch'ulel It dwells, with its avatars that protect or threaten those who approach its spheres of power. In Chamula, according to oral history, the saints can be punished for a time if they do not respond to the pleas of their faithful devotees: they are placed against a wall for a while, until their grace manifests itself. I have not found that custom in the lands of Sot'sleb, or place of bats, known as Zinacantán, a name documented by the famous anthropologist and linguist Robert Laughlin. But I have been surprised by the profusion of life in the garments with which they adorn the images of the saints: the Christ of Esquipulas, the Guadalupana, Saint Jude, Saint Lawrence and Saint Sebastian are the images that increase their clothing for their annual festival, in an overabundance of colors and textures that leave their faces and hands exposed, with their bodies imperceptible before such a profusion of life.

    What lies behind so much flowery beauty? How can I approach with devotion those images that transcend the ordinary in such an avalanche of flowers and decorations that sometimes seem to overwhelm those we reverently invoke?

    I found the key in the arrows of San Sebastián during its three days of popular festival in the municipal capital of Zinacantán.

    People from all the surrounding areas and neighboring towns flood the streets of the village and the plaza next to the church of the martyred saint in a lively festival that blends ancestral traditions like the jaguar tree with fleeting horse races. Asking the young catechists about the meaning of these traditions... performances Today, I heard different interpretations, more or less confused, which always concluded with the laconic phrase: “it is the custom”The jaguar climbs the trunk of a tree that was chosen a year in advance in the sacred hills The surrounding area. This tree is visited and venerated three times by those in charge of the tradition before being cut down and taken to the center of the plaza. During the festival, the trunk becomes the center of a ritual that commemorates the three days of darkness spent praying for rain and abundant harvests. From this trunk, standing upright in the ground, a man dressed as a jaguar—wearing a suit of Chinese fabrics crudely imitating the skin of the rain guardian—throws stuffed squirrels and eggs to the crowd gathered around, accompanied by young people dressed in black who play and dance as a troupe during the festival rituals. The horse race runs along the main avenue at the beginning of the day and again in the afternoon, recalling, according to some, the arrival of the Spanish—a memory that marks the time and space of the festival brought by the friars?

    During those days, like stepping back in time, the popular festival blends traditional dance and music—performed with deliberate slowness before the Tsotsil green altar of the Three Crosses, where the image of Saint Sebastian is placed—with the deafening roar of the band in the bandstand, which overwhelms those present but provides the perfect soundtrack for the celebration. And at night, everyone eagerly awaits the Sinaloan band concert, when the thumping drums mingle with the firecrackers and fireworks displays prepared to light up the sky.

    Amidst that endless surge of color, sound, and movement, I pause to approach the saint who is the reason for the festivities. I look for him on the altar in the atrium and then inside the church at the main altar. In both places, I can barely make out his face. Through his vestments, an arrow pierces his arm. And there is no way to see his lacerated body.

    Then I recall conversations I've had in past and recent years with young Indigenous people from diverse sexual orientations who have confided in me about their suffering from living in the shadows in their communities. It was unimaginable for them to be able to celebrate San Sebastián as their patron saint, to be part of the celebration, as so many Catholic communities around the world do. They celebrate it only in the silence of their hearts and their prayers. And I realize the arrows that continue to pierce the wounded body of the martyr. The vulnerable bodies of these young people today are adorned with floral fabrics, like everyone else in the community, but those bodies are not recognized in their difference by an ancestral culture to this day.

    I wonder if those bodies that live in the shadows today will one day be able to come into the light, with the love and responsibility that calls us all, as other Indigenous cultures have done for centuries. Years ago, the same question arose in conversations with women from the Zapatista grassroots and civil society who were forging a path in their own personal and communal histories to be recognized as life partners, living together as mothers with their children, and with a clear community and political commitment to defend their peoples. Today, the Zapatista narrative speaks to us of others –as he masterfully recounts Sylvia Marcos by exploring gender fluidity in Mesoamerica - finally making visible the experience of different lives and bodies as valuable and essential voices in the human symphony and the world to come.

    With a burning heart I sow a candle in front of San Sebastián in the name of those young people so that they may soon emerge of the shadows of the shadows of the shadows and live their lives joyfully in the midst of the community.

    The lights and shadows of the San Sebastián festival continue to be a revelation and a concealment that calls us to see with wide-open eyes the world around us where divine and human glory bursts forth as a promise of life for all.

    Sots'leb, January 24, 2026

    Note: I look forward to your comments below to continue the conversation.

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